Videography and photography are closely related, thus it seems sensible that photographers would want to experiment with them. In this article, we will talk about How to Shoot Video on DSLR Cameras Microphones. Modern DSLR cameras are more than capable of recording high-quality videos that will advance your profession. Additionally, since you are already familiar with using a DSLR camera, switching to shooting video on a DSLR is simpler than you may think. But can producing excellent still images be sufficient to achieve the same effects as videos? And can you record videos using the equipment you use for photography?
Good DSLR cameras microphones can counter any kind of background noise and disturbance as a whole and can provide you with the best filming experience. So make sure you make the right choice.
Compositional mastery comes in very handy first. You should understand how to frame a scene, develop a compelling focal point, highlight the topic, and add depth. This is why having photography abilities is incredibly helpful while creating videos. However, you must also take into account the two additional aspects of motion and sound in moving pictures. And this is where having supplementary gear will help, as your DSLR wasn’t made with these two things in mind.
Gear to Shoot Video on a DSLR Camera
Your DSLR is more than capable of taking excellent still pictures. You probably use many lenses to give yourself more creative freedom, a sturdy tripod to keep the camera steady, and a wide range of filters to add effects. You may even have lighting gear that you may employ for particular types of videography shots. When it makes sense, try to utilize the equipment you currently have. To get better results, you may need to improve your equipment in some circumstances. If you’re not happy with the production value of your movies, take a look at the following sorts of equipment.
External Microphones
Although your camera includes a built-in microphone that allows you to record audio, it probably isn’t up to par.
The two main advantages of using an external microphone are superior sound quality and a greater recording range. Built-in mono microphones in DSLR cameras, especially earlier models, can be useful for recording someone speaking adjacent to the camera but not for other purposes. However, if you want to record high-quality music or background noise, you’ll need a stereo microphone.
The built-in microphone’s permanent location on the camera’s body is another issue. You can’t point it at the source of the music, and if you’re not careful, your hands could accidentally block it. A directional, external microphone like the Rode VideoMic Pro is a preferable option if you want to record sound originating from the front of the camera.
It increases sensitivity, improves quality, and lessens background noise. You might think about mounting it on a boom pole and holding it above the subject to bring it even closer to the subject. Place the microphone such that the speaker’s chest is in the field of view.
You may need an external microphone with a long recording distance if the sound source is located far from the camera, such as the DJI Dual-Channel Wireless Microphone System. If there is a direct line of sight, it has a recording range of up to 200 meters. Additionally, you may record several sound sources because it comes with two microphone transmitters that allow omnidirectional audio.
External Monitors
The built-in microphone’s permanent location on the camera’s body is another issue. You can’t point it at the source of the music, and if you’re not careful, your hands could accidentally block it. A directional, external microphone like the Rode VideoMic Pro is a preferable option if you want to record sound originating from the front of the camera. It increases sensitivity, improves quality, and lessens background noise. You might think about mounting it on a boom pole and holding it above the subject to bring it even closer to the subject. Place the microphone such that the speaker’s chest is in the field of view.
Some of them have touchscreen controls and 3D LUTS for easy editings, such as the Blackmagic Design Video Assist 5′′ 12G-SDI HDMI HDR Recording Monitor. In addition, you may make wise directing choices like modifying frame, lighting, or décor because you can see the end output in advance.
Motorized Sliders
While photographing a scenario, you can hold your camera in your hand, but some camera movements need special equipment. A smooth, leisurely camera movement down a straight rail is provided by a motorized slider. Your video will be clear, stable, and of professional quality as a consequence. This cannot be accomplished with handed movements since even the smallest movement would cause your video to tremble or quiver. Sliders are commonly utilized in commercial videos because they offer consistent framing and predictable movement.
A small, lightweight, multipurpose motorized slider (like the Rhino ROV PRO every day) or a lengthy, studio-style one that offers a wide panning motion are both options (e.g., Came-TV 80cm Motorized Parallax Slider). Always be sure the equipment you select is appropriate for the kind of video you plan to capture.
Studio Lighting Systems
In dim lighting, flash is useless for taking movies. A constant supply of light is required. A full lighting system that offers a wide brightness range and daylight color temperature is the finest choice for studio filming. For instance, the cheap Godox SL-60 2x LED Video Light Kit comes with two SL60 Lights with reflectors, two softboxes, and two light stands. You may alter them with a wireless remote control and arrange them however you choose.
Consider the Lume Cube Panel GO LED Light with DSLR camera mount if you’d want a portable artificial light source. It is an LED light that stands in for a flash and can light up a scene for up to 1.3 hours at its brightest setting.
Teleprompters
You’ll probably need a teleprompter if you’re filming folks who are reading from a script (i.e., a screen that displays and scrolls text). It is commonly used in videos that resemble television, in commercials, in interviews, and in instructional films. A teleprompter can be mounted on the camera (facing the subject) or on a light stand (to make it available to anyone on the set).
Tripod Video Heads
You can stop the camera from wobbling while taking a picture while holding it, but you cannot do so while taking a video. Even though the typical tripod head has picture stabilization, it is difficult to pan or tilt while pursuing a moving object.
Make sure your equipment weighs less than the payload of the tripod head when selecting a tripod video head. Benro S6PRO, for instance, can support up to 6 kilograms. Add their weights to the weight of the camera and lens since it has two additional attachments for securing an external monitor or a microphone.
Also Read: Find the Right Protective Gear for Your Camera Equipment
Concluding Words
Choosing your gear wisely allows you to keep your equipment at a minimum and invest time and money in upgrading your skills. Base your decisions on your workflow, artistic vision, and purpose. Commercial videos need different gear than art movies. Long videos have other requirements than short ones. Focus on gaining control over camera movements and acquiring high-quality images and sound. And don’t be afraid to experiment.
